TRIO vis-à-vis will be working for 3 months with the composer Helena Cánovas and the dramaturg Maike Graf about putting on stage the role of “Medea”, as a continuation of their first project “Penelope” and the new interpretation and debate about female roles in the baroque and romantic operas.

TRIO vis-à-vis takes master classes with Helmut Lachemann and rehearses his work temA, for violoncello, flute and voice.

TRIO vis-à-vis  is recording (video and sound) the most important works composed for its cast.
Works of Nicolai Worsaae, Helmut Lachenmann, Catharina Backman, Neil Thomas Smith.

TRIO vis-à-vis plays the most important and relevant works of 20. and 21. century’s classical music for the corresponding instruments of its cast (soloist and trio).

More information and tickets: www.kalamatamusicdays.com

TRIO vis-à-vis participates as guest in the event in the Villa Elisabeth in Berlin, where the ensembles can present themselves and at the same time relevant topics of the ensemble scene are discussed with renowned guests. The concerts and the symposium should intertwine and deal with diversity in terms of content (sometimes more concretely, sometimes loosely).

TRIO vis-à-vis plays contemporary music in a concert dedicated to Maria Kalesnikava.