Repertoire

Flashback (2016)

For soprano, violoncello and flute. Commissioned for TRIO vis-à-vis. Premiere at Haus der Musik im Fruchtkasten (Stuttgart), as part of the concert series by S-K-A-M e. V. (2016).

Vestigios (de tus…) (2018)

For soprano, alto flute and violoncello (upon a poem of Natasha López). Commissioned for TRIO vis-à-vis (2018). Premiere at Dunkers Kulturhus (Helsingborg), April 2019.

Made in China/ Epitaph (2021)

Upon a text by Foxconn employee Xu Lizhi. For soprano, violoncello, flute and audiovisual projection (2021). Commissioned for TRIO vis-à-vis. Premiere at Der Sommer in Stuttgart Festival

(neo)liberal systems #2 «crescendo» (2019)

For any kind and number of instruments + live electronics.

All is full of love

Venus as a boy

Violently happy

And anew (2016)

For soprano, violoncello and flute. Commissioned for TRIO vis-à-vis. Premiere at Suså Festival (Dänemark) (2016).

noVOICE – noBODY (2019)

A music and dance performance for three dancer and three musicians about power and freedom. Commissioned for TRIO vis-à-vis. Premiere at Der Sommer in Stuttgart Festival.

VIRUCIDE (2021-2022)

A digital and uberdigital music theatre with performers, puppeteer and new media about the COVID-19 pandemic. Commissioned for TRIO vis-à-vis.

Penelope, Studie über das Warten (2021/2022)

A video monodrama for soprano, flute and violoncello. Commissioned for TRIO vis-à-vis.

The Tides Soul (2021)

For soprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at GEDOK e. V. as part of the concert series by
 S-K-A-M e. V.

Two ricercare (1932)
1. Sacco, Vanzetti; 2. Chinaman, Laundryman. Arrangements for Trio.

For voice, flute, piccolo flute and violoncello.

 

Noch fünf Stationen (2025)

Scene for sopran, violoncello and flute.
First prize at Jugend Komponiert Contest and Workshop Hessen & Thüringen (2025)

 

2 Yeats-Lieder: I. Turning and turning; II. The Lake Isle of Innisfree

For soprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at Theater Atelier (Turning and turning, 2024) and at GEDOK e. V. (The Lake Isle of Innisfree, 2025) as part of the concert series of S-K-A-M e.V.

Culto a lo oculto (2025), upon texts by Eduardo Galeano.

For soprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at the concert series out of the box in Leonberg and as part of the concert series of S-K-A-M e. V.

Trio Notturno (2015)

For soprano, violoncello and flute. Commissioned for TRIO vis-à-vis. Premiere at Lachenmann Perspektiven FESTIVAL (2015).

Angstraum (2016)

For violoncello, soprano and alto flute. Commissioned for TRIO vis-à-vis. Premiere at ECLAT Festival (2017).

Unsicherheit (2024)

For soprano, violoncello and flute. Commissioned for TRIO vis-à-vis. Premiere at the concert series of S-K-A-M e. V. “Turning and turning”, a tribute concert to Maria Kalesnikava at Theater Atelier (Stuttgart)

Déserteur (2025)

Return (2025)

For violoncello, soprano, flute, accordeon, synthesizer and finger cymbals. Commissioned for TRIO vis-à-vis. Premiere at the project Reiseandenken as part of the concert series of S-K-A-M e. V. “Black Box Blanck Page” (Stuttgart).

temA (1968)

For mezzosoprano, flute and violoncello.

Der Fachquatsch Nr. 3 (2013)

For voice, flute, violoncello, mobil and loudspeaker. Commissioned for TRIO vis-à-vis. Premiere at the University of Music Stuttgart (2013).

Individual-Collectives (2020)

For soprano, violoncello, flute and alto flute and tape. Commissioned for TRIO vis-à-vis.

Die Elbe (2014)

For soprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at Hungarian Institute (2014).

Ai limiti delle soglie II: con moto trasversale (2020)

For soprano, flute and bass flute, violoncello and live electronics. Commissioned for TRIO vis-à-vis. Premiere at ECLAT Festival (2021).

Coq-à-l’âne (1997)

For three or more players of sound producing objects.

«But I’m in fact also relieved. And I’m ashamed of it» (2026)

For soprano, alto and piccolo flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at musica nova (Kunstmuseum Reutlingen)

Oceans made small (2013)

For soprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at Südseite Nachts (Musik der Jahrhunderte, Theaterhaus Stuttgart).

Yerma (2020)

For soprano, flute and alto flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at the online concert series of S-K-A-M e. V. (2020).

ΤΡΙΓΡΑΜΜΑΤΟΝ

Commissioned for TRIO vis-à-vis (2012).

Replication #1 (2014)

For mezzosoprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at Südseite Nachts (Musik der Jahrhunderte, Theaterhaus Stuttgart) (2015).

Gajo (2024)

For soprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at Domnick Stiftung (2024)

The seasons (2018)

12 improvisations based on the catalog of graphic scores for any instrument solo or ensemble.

[VOIDS] C. Monterverdi – Se dolce è’l tormento. Commissioned for Hugo Rannou and Natasha López. Premiere premiere at the concert hall of the Museo del Prado in Madrid (2023).

For violoncello and soprano.

Ecoute, mon coeur (1924)

For flute and soprano.

Auf tönernen Füssen (2001)

For flute and voice.

Invocation VI (2002)

For bass flute and soprano.

Toccata-Notturne (2002)

For flute and violoncello.

Paroles y palabras (2000)

Quattro pezzi per soprano e violoncello.

…And here they do not… (2014)

For voice and violoncello (with optional violin and viola dancing parts).

Mirrors (1997)

For violoncello and flute.

Changing Light (2005)

For soprano and flute.

 

Deploratio II (2002)

For violoncello and flute.

 

Récitations (1978)

Stripsody (1966)

Sequenza III (1965)

Aria (1958)

Living Room Music (1940)

Song Books (1977)

Sixty-two Mesostics Re Merce Cunningham (1971)

Unity

Die Alte (2001)

Only

Monolog für Frauenstimme mit Pauke (1977)

Sieben Stücke für Stimme Solo (2008), Nr. 2 and 4

Der Turm zu Babel (2002)

Das >DING< an sich (2018), a concertante bicycle bell test.

Så går en dag (2000)

Ai Limiti delle Soglie I (2017), for soprano and electronics. Commissioned for the concert series by S-K-A-M e. V.

Lady Lazarus (1981)

Hô, cinq vocalises pour voix de femme (1965)

Ogloudoglou, pour une voix d’homme (ou de femme) & percussion (un interprète) (1969)

Three latin prayers for soprano (1972)

Weitere Machart von Stille (2012/23)

Wenige Silben vom Glück (2017)

Sequenza I (1958)

impossible translations#5 (2021), for flute, video and tape (dedicated to Maria Kalesnikava). Commission. Premiere at ECLAT Festival (2021)

Scrivo in vento (1991)

Sospesi anonimi, diseredati, poeti (2001), for flute and tape.

Cassandra’s Dream Song (1970)

Sisyphus Redux (2010)

Mei (1962)

Shun-San (1969)

Hybris trotz Pans Wehklag (2013)

Debla (1980)

Kontexturen

(t)air(e) (1980-83)

Spirit Flight (2012)

Winter Spirits (1997)

Monadologie XVI ‘Solfeggio’ (2011)

to a crow (2012)

Dolce tormento (2004), for piccolo

Pwyll (1954)

Come vengono prodotti gli incantesimi (1985)

Sori (1988)

Cello Suite Nr. 1, Op. 72 (1964)

26’ 1.1499” for a String Player (1953-1955)

Trois Strophes sur le Nom de Sacher (1976-1982)

Modul 9 (2014)

Pression (1969-70)

Shun-San (1969)

Uffukk (2010)

Spins and Spells (1996)

Ygghur III: Catharsis/Libération (1965), from the trilogy, I tre stadi dell’uomo

Study for String Instrument #3 (2011)

Vier kurze Studien für Cello Solo (1970)