Repertoire

TRIO PIECES

Claudio Ambrosini (*1948)

Flashback (2016)

For soprano, violoncello and flute. Commissioned for TRIO vis-à-vis. Premiere at Haus der Musik im Fruchtkasten (Stuttgart), as part of the concert series by
 S-K-A-M e. V. (2016).

Catharina Backman (*1961)

Vestigios (de tus…) (2018)

Upon two poems of Natasha López. For soprano, alto flute and violoncello (upon a poem of Natasha López). Commissioned for TRIO vis-à-vis (2018). Premiere at Dunkers Kulturhus (Helsingborg), April 2019.

Alberto Bernal (*1978)

Made in China/ Epitaph (2021)

Upon a text by Foxconn employee Xu Lizhi. For soprano, violoncello, flute and audiovisual projection (2021). Commissioned for TRIO vis-à-vis. Premiere at Der Sommer in Stuttgart Festival.

(neo)liberal systems #2 «crescendo» (2019)

For any kind and number of instruments + live electronics.

Jesse Broekman (*1985)

And anew (2016)

For soprano, violoncello and flute. Commissioned for TRIO vis-à-vis. Premiere at Suså Festival (Dänemark) (2016).

Remmy Canedo (*1983)

noVOICE – noBODY (2019)

A music and dance performance for three dancer and three musicians about power and freedom. Commissioned for TRIO vis-à-vis. Premiere at Der Sommer in Stuttgart Festival

VIRUCIDE (2021-2022)

A digital and uberdigital music theatre with performers, puppeteer and new media about the COVID-19 pandemic. Commissioned for TRIO vis-à-vis.

Helena Cánovas i Parés (*1994)

Penelope, Studie über das Warten (2021/2022)

A video monodrama for soprano, flute and violoncello. Commissioned for TRIO vis-à-vis.

Huihui Cheng (*1985)

The Tides Soul (2021)

For soprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at GEDOK e. V. as part of the concert series by
 S-K-A-M e. V.

Alberto Hortigüela (*1969)

Trio Notturno (2015)

For soprano, violoncello and flute. Commissioned for TRIO vis-à-vis. Premiere at Lachenmann Perspektiven FESTIVAL (2015).

Ulrich Kreppein (*1979)

Angstraum (2016).

For violoncello, soprano and alto flute. Commissioned for TRIO vis-à-vis. Premiere at ECLAT Festival (2017).

Helmut Lachenmann (*1935)

temA (1968)

For mezzosoprano, flute and violoncello.

Koka Nikoladze (*1989)

Der Fachquatsch Nr. 3 (2013)

For voice, flute, violoncello, mobil and loudspeaker. Commissioned for TRIO vis-à-vis. Premiere at the University of Music Stuttgart (2013).

Sophie Pope (*1988)

Individual-Collectives (2020)

For soprano, violoncello, flute und alto flute and tape. Commissioned for TRIO vis-à-vis.

Silvia Rosani (*1975)

Die Elbe (2014)

For soprano, flute und violoncello. Commisioned for TRIO vis-à-vis. Premiere at Hungarian Institute (2014).

Ai limiti delle soglie II: con moto trasversale (2020)

For soprano, flute and bass flute, violoncello and live electronics. Commissioned for TRIO vis-à-vis. Premiere at ECLAT Festival (2021).

Neil Thomas Smith (*1987)

Oceans made small (2013)

For soprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at Südseite Nachts (Musik der Jahrhunderte, Theaterhaus Stuttgart).

Valery Voronov (*1970)

Yerma (2020)

For soprano, flute und alto flute und violoncello. Commissioned for TRIO vis-à-vis. Premiere bei der Onlinekonzertreihe von S-K-A-M e. V. (2020).

N. Andrew Walsh (*1978)

ΤΡΙΓΡΑΜΜΑΤΟΝ

Commissioned for TRIO vis-à-vis (2012).

Nicolai Worsaae (*1980)

Replication #1 (2014)

For mezzosoprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at Südseite Nachts (Musik der Jahrhunderte, Theaterhaus Stuttgart) (2015).

Konstantin Yaskov (*1981)

The seasons (2018)

12 improvisations based on the catalog of graphic scores for any instrument solo or ensemble.

DUO PIECES

Beat Furrer (*1954)

Auf tönernen Füssen (2001)

For flute and violoncello.

André Caplet (1878-1925)

Ecoute, mon coeur (1924)

For flute und soprano.

Guillaume Conneson (*1970)

Toccata-Notturne (2002)

For flute and violoncello.

Ivan Fedele (*1953)

Paroles y palabras (2000)

Quattro pezzi per soprano e violoncello.

Francesco Filidei (*1973)

…And here they do not… (2014)

For voice and violoncello (with optional violin and viola dancing parts).

Kaija Saariaho (*1952)

Mirrors (1997)

For violoncello and flute.

SOLO PIECES Voice

George Aperghis (*1945)

Récitations (1978)

Cathy Berberian (1925-1983)

Stripsody (1966)

Luciano Berio (1925-2003)

Sequenza III (1965)

John Cage (1912-1992)

Aria (1958)

Living Room Music (1940)

Song Books (1977)

Sixty-two Mesostics Re Merce Cunningham (1971)

Aurélio Edler-Copes (*1976)

Unity

Adriana Hölszky (*1953)

Monolog für Frauenstimme mit Pauke (1977)

Margarete Huber

Sieben Stücke für Stimme Solo (2008), Nr. 2 and 4

Mauricio Kagel (1931-2008)

Der Turm zu Babel (2002)

Silvia Rosani (*1975)

Ai Limiti delle Soglie I (2017), for soprano and electronics. Commissioned for the concert series by S-K-A-M e. V.

Daryl Runswick (*1946)

Lady Lazarus (1981)

Giacinto Scelsi (1905-1988)

Hô, cinq vocalises pour voix de femme (1965)

Charlotte Seither (*1965)

Weitere Machart von Stille (2012/23)

Wenige Silben vom Glück (2017)

SOLO PIECES
Flute

Luciano Berio (1925-2003)

Sequenza I (1958)

Elliot Carter (1908-2012)

Scrivo in vento (1991)

Gianvincenzo Cresta (*1968)

Sospesi anonimi, diseredati, poeti (2001), for flute and tape.

Brian Ferneyhough (*1943)

Cassandra’s Dream Song (1970)

Sisyphus Redux (2010)

Kazuo Fukushima (*1930)

Mei (1962)

Shun-San (1969)

Nikodemus Gollnau (*1985)

Hybris trotz Pans Wehklag (2013)

Cristóbal Halffter (1930-2021)

Debla (1980)

Rolf Hempel (*1932)

Kontexturen

Heinz Holliger (*1939)

(t)air(e) (1980-83)

Katherine Hoover (1937–2018)

Spirit Flight (2012)

Winter Spirits (1997)

Bernhard Lang (*1957)

Monadologie XVI ‘Solfeggio’ (2011)

Sophie Pope (*1988)

to a crow (2012)

Salvatore Sciarrino (*1947)

Come vengono prodotti gli incantesimi (1985)

Isang Yun (1917-1995)

Sori (1988)

SOLO PIECES Violoncello

Benjamin Britten (1913-1976)

Cello Suite Nr. 1, Op. 72 (1964)

John Cage (1912-1992)

26’ 1.1499” for a String Player (1953-1955)

Henri Dutilleux (1916-2013)

Trois Strophes sur le Nom de Sacher (1976-1982)

Sebastian Hoch (*1977)

Modul 9 (2014)

Helmut Lachenmann (*1935)

Pression (1969-70)

Shun-San (1969)

Simon Steen-Andersen (*1976)

Study for String Instrument #3 (2011)