Repertoire
TRIO PIECES
Claudio Ambrosini (*1948)
Flashback (2016)
For soprano, violoncello and flute. Commissioned for TRIO vis-à-vis. Premiere at Haus der Musik im Fruchtkasten (Stuttgart), as part of the concert series by S-K-A-M e. V. (2016).
Catharina Backman (*1961)
Vestigios (de tus…) (2018)
Upon two poems of Natasha López. For soprano, alto flute and violoncello (upon a poem of Natasha López). Commissioned for TRIO vis-à-vis (2018). Premiere at Dunkers Kulturhus (Helsingborg), April 2019.
Alberto Bernal (*1978)
Made in China/ Epitaph (2021)
Upon a text by Foxconn employee Xu Lizhi. For soprano, violoncello, flute and audiovisual projection (2021). Commissioned for TRIO vis-à-vis. Premiere at Der Sommer in Stuttgart Festival.
(neo)liberal systems #2 «crescendo» (2019)
For any kind and number of instruments + live electronics.
Jesse Broekman (*1985)
And anew (2016)
For soprano, violoncello and flute. Commissioned for TRIO vis-à-vis. Premiere at Suså Festival (Dänemark) (2016).
Remmy Canedo (*1983)
noVOICE – noBODY (2019)
A music and dance performance for three dancer and three musicians about power and freedom. Commissioned for TRIO vis-à-vis. Premiere at Der Sommer in Stuttgart Festival.
VIRUCIDE (2021-2022)
A digital and uberdigital music theatre with performers, puppeteer and new media about the COVID-19 pandemic. Commissioned for TRIO vis-à-vis.
Helena Cánovas i Parés (*1994)
Penelope, Studie über das Warten (2021/2022)
A video monodrama for soprano, flute and violoncello. Commissioned for TRIO vis-à-vis.
Huihui Cheng (*1985)
The Tides Soul (2021)
For soprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at GEDOK e. V. as part of the concert series by S-K-A-M e. V.
Alberto Hortigüela (*1969)
Trio Notturno (2015)
For soprano, violoncello and flute. Commissioned for TRIO vis-à-vis. Premiere at Lachenmann Perspektiven FESTIVAL (2015).
Ulrich Kreppein (*1979)
Angstraum (2016).
For violoncello, soprano and alto flute. Commissioned for TRIO vis-à-vis. Premiere at ECLAT Festival (2017).
Helmut Lachenmann (*1935)
temA (1968)
For mezzosoprano, flute and violoncello.
Koka Nikoladze (*1989)
Der Fachquatsch Nr. 3 (2013)
For voice, flute, violoncello, mobil and loudspeaker. Commissioned for TRIO vis-à-vis. Premiere at the University of Music Stuttgart (2013).
Sophie Pope (*1988)
Individual-Collectives (2020)
For soprano, violoncello, flute und alto flute and tape. Commissioned for TRIO vis-à-vis.
Silvia Rosani (*1975)
Die Elbe (2014)
For soprano, flute und violoncello. Commisioned for TRIO vis-à-vis. Premiere at Hungarian Institute (2014).
Ai limiti delle soglie II: con moto trasversale (2020)
For soprano, flute and bass flute, violoncello and live electronics. Commissioned for TRIO vis-à-vis. Premiere at ECLAT Festival (2021).
Neil Thomas Smith (*1987)
Oceans made small (2013)
For soprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at Südseite Nachts (Musik der Jahrhunderte, Theaterhaus Stuttgart).
Valery Voronov (*1970)
Yerma (2020)
For soprano, flute und alto flute und violoncello. Commissioned for TRIO vis-à-vis. Premiere bei der Onlinekonzertreihe von S-K-A-M e. V. (2020).
N. Andrew Walsh (*1978)
ΤΡΙΓΡΑΜΜΑΤΟΝ
Commissioned for TRIO vis-à-vis (2012).
Nicolai Worsaae (*1980)
Replication #1 (2014)
For mezzosoprano, flute and violoncello. Commissioned for TRIO vis-à-vis. Premiere at Südseite Nachts (Musik der Jahrhunderte, Theaterhaus Stuttgart) (2015).
Konstantin Yaskov (*1981)
The seasons (2018)
12 improvisations based on the catalog of graphic scores for any instrument solo or ensemble.
DUO PIECES
Alberto Bernal (*1978)
[VOIDS] C. Monterverdi – Se dolce è’l tormento. Comissioned.
For violoncello und soprano.
André Caplet (1878-1925)
Ecoute, mon coeur (1924)
For flute und soprano.
Beat Furrer (*1954)
Auf tönernen Füssen (2001)
For flute and voice.
Invocation VI (2002)
For bass flute and soprano.
Guillaume Conneson (*1970)
Toccata-Notturne (2002)
For flute and violoncello.
Ivan Fedele (*1953)
Paroles y palabras (2000)
Quattro pezzi per soprano e violoncello.
Francesco Filidei (*1973)
…And here they do not… (2014)
For voice and violoncello (with optional violin and viola dancing parts).
Kaija Saariaho (*1952)
Mirrors (1997)
For violoncello and flute.