Hui hui Cheng (*1985)
„Entschleunigter Chat“ for Soprano, Flute und Cello
(Written for Trio vis-à-vis in 2013)

Helmut Lachenmann (*1935)
„temA“ (1968) for Flute, Voice and Cello

Koka Nikoladze (*1989)
„Der Fachquatsch Nr.3“ for Voice, Flute and Cello
(Written for Trio vis-à-vis in 2013)

Silvia Rosani
„Die Elbe“ for Voice, Flute and Cello
(Written for Trio vis-à-vis in 2014)

Neil Thomas Smith (*1987)
„Oceans made small“ for Voice, Flute and Cello
(Written for Trio vis-à-vis in 2013)

N. Andrew Walsh (*1978)
„ΤΡΙΓΡΑΜΜΑΤΟΝ“
(Written for Trio vis-à-vis in 2012)

Nicolai Worsaae (*1980)
“REPLICATION #1” for Voice, Flute and Cello
(Written for Trio vis-à-vis)

 


 

DUO PIECES

Ivan Fedele(*1953)
„Querida Presencia“ (2000) for Soprano and Cello

Beat Furrer (*1954)
“auf tönernen Füssen” (2001) for Flute and Voice

 


 

SOLO PIECES

Voice

George Aperghis (*1945)
„Récitations“ (1977/78)

Cathy Berberian (1925-1983)
„Stripsody“ (1966)

Luciano Berio (1925-2003)
„Sequenza III“ (1965)

John Cage (1912-1992)
„Song Books“ (excerpts) (1977)
„Sixty-two Mesostics Re Merce Cunningham” (excerpts) (1971)

Aurélio Edler-Copes (*1976)
“Unity”

Adriana Hölszky (*1953)
“Monolog für Frauenstimme mit Pauke” (1977)

Margarete Huber (*1972)
„Sieben Stücke für Stimme Solo“ (No. 2 and No.4) (2008)

Mauricio Kagel (1931-2008)
„Der Turm zu Babel“ (excerpts) (2002)

FLUTE

Luciano Berio (1925-2003)
„Sequenza I“ (1958)

Gianvincenzo Cresta(*1968)
„Sospesi anonimi, diseredati, poeti“ (2001)
für Flöte und Tape

Kazuo Fukushima (*1930)
„Mei“ (1962)
„Shun-San“ (1969)

Nikodemus Gollnau (*1985)
„Hybris trotz Pans Weheklag“ (2013)

Rolf Hempel (*1932)
„Kontexturen“

Heinz Holliger (*1939)
„(t)air(e)“ (1980/1983)

Sophie Pope (*1988)
„to a crow“ (2012)

Salvatore Sciarrino (*1947)
„Come vengono prodotti gli incantesimi“ (1985)

Isang Yun (1917-1995)
“Sori” (1988)

CELLO

John Cage (1912-1992)
26’ 1.1499” for a String Player (1953-1955)

Henri Dutilleux (1916-2013)
Trois Strophes sur le Nom de Sacher (1976-1982)

Benjamin Britten (1913-1976)
Cello Suite No. 1, Op. 72 (1964)

Helmut Lachenmann (*1935)
Pression (1969-70)

Simon Steen-Andersen (*1976)
Study for String Instrument #3